Monday, January 26, 2009

Art Experimental: Ruttmann vs. Milant

The pleasure in watching and [listening to] this comes from the reactivity in the same temporality between sound and picture.
Abstract animation from the 1920's meets a modern electronic soundtrack. Milant's composition is a subtle shadow to Ruttmann's Opus, allowing the morphic, swooping shapes to oomph and grunt their way through their constantly-changing acrobatics. The sonic theme is continuous throughout the three short works, a pressing beat that's accented by hints and swoops of noise that remind me of a little boy playing with miniature cars and airplanes. The tiny homey touches, like the mumbled voices 'reading' the title cards of each opus, preserve and enhance the whimsical feeling of the animation.

OK, I think that's all the critical bullshit I can summon for this movie. I like watching it better than writing about it, anyway. You'll definitely enjoy watching it more than reading this, too, so... here's some more stuff cribbed from a MeFi post I made years ago about this animation:

Walter Ruttmann is perhaps best known for his silent documentary Berlin: Symphony of a Great City (1927) [link to YouTube playlist of all 8 parts] and for his carefully orchestrated abstract animations. (Ubuweb has Opus I-4 in one.)

Meanwhile, Alexis Milant is known best for his excellent art is a game and game an art, aka awesum fingerboarding video! and the subsequent "Opus" series. Note the detailed sound design.

I gently encourage all who enjoyed these videos to explore the related videos features and other links provided. It feels like I left a lot out of this post. That's ok; it's fun to explore!

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